States of Grace

The Duchess of Red Water

From the Little Book of Fitzartur Foibles

In an age that has already forgotten its own crimes, there lived a Duchess of remarkable beauty and yet more remarkable intellect. Her name has been effaced from courtly records—some say by her enemies, some by her own command—but her tale clings to the marshlands where she built her house, rising from the mist like a psalm turned sour.

She was said to be descended from an ancient ducal line, though none could trace the blood with certainty. The priests claimed her family held pacts with spirits; the peasants murmured she was the last of the water‑witches who once ruled the fen by moonlight. Be that as it may, she dwelt apart from fashionable society, preferring the solitude of her estate where the reeds rustled like prayers half‑forgotten and the lake mirrored every passing blaze of heaven and hell alike.

The house itself was strange—a palace of marble veined with black, its halls lined with portraits of women, never one of a man. The servants who tended it swore under oath that the pictures changed with the weather: sometimes serene, sometimes weeping, and sometimes—most dreadfully—smiling with the exact smile of their mistress. Yet though they crossed themselves and whispered of devilry, not a soul would leave her service, for none could deny that the Duchess paid handsomely and reigned with eerie gentleness.

Every Sabbat she invited the villagers to her chapel—small, candlelit, hung with wreaths of herbs rather than holy garlands. There she spoke in the language of the sacred but not quite as the priests used it: “Blood is faith,” she would say in her soft voice, “and the body is holy when confessed to itself.” Many wept at her words without knowing why. The magistrate reported her sermons to the Bishop, who laughed and called her only eccentric. “A lady’s pious enthusiasm,” said he. “The poor need diversion.” But none who heard her left unchanged.

Now it happened that a young Duke, cousin to the Queen and proud as a gilded statue, came traveling through her region on his way to claim a portion of her lands—lands once pledged to his house before the wars of reform had upended half the titles in Europe. He was tall, perfumed, exceedingly confident, and as feared by his servants as beloved by the court ladies who did not know him well. Hearing that the reclusive Duchess might oppose his claim, he resolved to see her in person and win her submission by charm—or by force, should politeness fail.

The Duchess received him at dusk, attended only by two silent maids draped in grey and a flock of white ducks that glided across the reflecting pool. “Welcome, noble cousin,” said she, and her smile unsettled him more than any frown. “The night grows deep—you had best rest here till dawn, for the marsh is unkind to those who love daylight.” He agreed, finding her voice disturbingly melodic. At dinner, he jested, he boasted, and he drank; but her eyes never left him, and by midnight he began to feel himself observed not by one woman but by many—every painted face in the hall, every servant’s steady gaze.

When he rose to propose a toast, the candles fluttered and one fell to the floor, igniting a crimson stain upon the carpet. “Blood,” murmured the Duchess. “It seeks its own remembrance.” Her servants came swiftly and smothered the flame, yet the Duke swore he saw the stain pulse once before receding into the floor.

Later that night he wandered the corridors in curiosity—or in something darker—and found his way to a door of carved oak bound by iron sigils. He heard the faint sound of wings on water: ducks muttering, as though speaking secrets in a foreign tongue. He laughed softly at his own fancy, turned the latch, and entered.

What he saw none can tell in full, for his tongue was ruined by morning. The servants found him kneeling before the Duchess’s private altar, his eyes broad and empty, his mouth working soundlessly like a fish drawn from the lake. Across his chest ran three neat cuts, as though the talons of a great bird had caressed him there. The Duchess, calm as any angel at requiem, ordered him to be carried to his carriage and sent away at once. “He has seen too deeply,” she said. “His heart is not made for revelation.”

The Duke did not survive the journey. Yet when his retainers opened the coffin that bore his body home, they found it miraculously changed: his features soft, his hair lengthened, his skin smooth as that of a maiden newly bathed. The physician declared a case of feverish degeneration; the priests muttered of punishment; the Duchess sent no defence.

Afterwards, the courtfolk laughed behind their gloves. “A witch,” said one. “A libertine,” said another. “A madwoman,” said the rest. History wrote her down as each in turn, damning her name until it glimmered like sin in the margins of genealogy. Yet those of her household who remained swore her power never failed. The fields prospered, the women bore strong children, and men who came to scorn her left meek, their bravado melted into some quieter knowledge.

When the Duchess died—if she died at all—the lake turned red for seven nights, and the ducks were seen to swim in circles about the island chapel, crying like lovers bereaved. The Bishop banned mention of her from the pulpit. The Queen’s historians expunged her lineage from the rolls of nobility. But the peasants, who forget little that touches the heart, carried on a rhyme for their children’s sleep:

 

“By blood she prayed, by moon she stood,

She gave the bad to their own good.

By lake, by feather, flesh, and bone,

Her truth was more than kings have known.”

 

So the tale endures in whispers. Travel through those marshes at dusk, and one may glimpse a slender shape by the water’s edge, scattering crumbs to a company of white ducks. Whether ghost, saint, or only a woman too wise for her century, none can tell. But all who look too long feel something move within—the slow remembrance of what power women once held before the lies of history taught men to name it madness. And if you listen long enough, you may hear the ducks speaking still—the old language, the one the men forgot.

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